About

Celyn Bricker (b.1989) is a British visual artist whose work explores technology and our relationship to nature. He explores these themes across a range of media, working with AI technology as well as painting, printmaking and installation. 

Celyn has shown his work widely in Europe, North America and Asia, including at Documenta 15 in Kassel. He has had his work covered in Forbes and was recently invited as a speaker to the World Artificial Intelligence Conference in Shanghai. Celyn is co-founder of CELU Studio, an interdisciplinary art studio that uses art to both communicate and address environmental issues. In his current work, Celyn is developing a kind of glass that can be used to prevent bird collisions with buildings; paintings that are able to remove pollution from the air, and interactive AI artworks that explore our connection with the natural world.

Education:

Ma (Hons) Fine Art, The University of Edinburgh: 1st Class Degree 2007-2012

Accademia Di Belle Arti Di Brera, Drawing and Painting; Italian Language, Milan 2009

Additional Education:

London School of Economics, Public Policy Analysis 2023

Mandarin Chinese, Peking University 2014

Mandarin Chinese, East China Normal University, Shanghai, 2009

Awards:

2012 John Kinross Scholarship to Florence

Public/National Collections:

Royal Scottish Academy, Edinburgh, Scotland
National Collection of Mexico, Mexico
Jiaotong University Collection, Shanghai, China

Residencies

2023 Art Diagonale, Austria

2023 Towards the Common Sea We Have, Taiwan

2022 Istanbul Artist Residency, Istanbul, Turkiye

2021 Blanche De Chine, Dehua, China (Postponed until 2024)

2021 Swatch Art Peace Hotel Residency, Shanghai, China

2020 ICCI Art Valley Residency, Shanghai, China

2020 Quarantine Residency (Founder/Curator)

2017 Social Sensibility at Bernard Controls Factory, Beijing, China

2012 John Kinross Scholarship, Florence, Italy

Selected Exhibitions

2023 (Dual Solo) Rays of Light, Jiushi Art Gallery, Shanghai

2022 Shared Wisdom, Palais Des Congres De Montreal, COP15, Montreal, Canada

2022 Home, Akaretler 29, Istanbul, Turkiye

2022 Asia Now, Monnaie De Paris, France

2022 DOCUMENTA 15, Hubner Areal, Kassel, Germany

2022 (Solo) The Fifth Season, SoArt, Shanghai

2021 Either/Or, Suning Art Museum, Shanghai, China

2021 (Solo) The Fifth Season, Carte Blanche, Beijing, China

2021 (Solo) Algorithmic Park, Shunluck Space, Guangzhou, China

2021 Infinite Exchange, Cubism, Shanghai

2021 Disembedding: From Digital Native to Metaverse, HOW Museum, China

2021 Unearth, Nook Gallery, Beijing, China

2021 Bioceno, El Museo De La Cancilleria, Mexico City, Mexico

2020 Enigma Between World and Me, Shunluck Space, Guangzhou, China

2020 Crossover, Xuhui Art Museum, Shanghai, China

2020 Immaterial/Rematerial: A Brief History of Computing Art, UCCA, Beijing, China

2020 Depictions of Living, The Art Pavilion, London, UK

2019 Walking in the Rhythm, RedBase Foundation, Yogyakarta, Indonesia

2019 (Dual Solo) All the World Is Green, Clerkenwell Space, Beijing, China

2017 Legal Aliens, Yan Huang Museum, Beijing, China

2017 Silver, Liverpool Art Academy, Liverpool, UK

2016 Shanghai Biennale, Intra-curatorial project, Powerstation of Art, Shanghai

2016 The British Society of Self-Deprecation, Cheng Art, Beijing, China

2016 Shi Cha, Garage Art Museum, Beijing, China

2016 Vengo/Sono Tornato Dall’Italia, Zero Space, Beijing, China

2015 Reverse the Perspective, Xiangsi Art Museum, Tianjin, China

2014 Paper Manifestos, Beijing Design week, Beijing, China

2013 (Solo) La Quarta Porta, Gli Anelli Mancanti, Florence, Italy

2013 Resident 13, The Royal Scottish Academy, Edinburgh, UK

2012 New Directions, Compass Gallery, Glasgow,

2012 Ten Thousand, Edinburgh College of Art, Edinburgh, UK

2011 Inside Out Edinburgh (collaboration with artist JR), Edinburgh, UK

Curated Exhibtions

2022 Sim-biotic, Venice Arsenale Capannone 106, Venice, Italy

2021 Either/Or, Suning Art Museum, Shanghai, China

2020 Another Time, VR exhibtion

2019, Slice, Nook Gallery, Beijing

2019 We are (Not) Amused, Nook Gallery, Beijing

2019 Dual Lens, Nook Gallery, Beijing

2018 Work in Progress, Nook Gallery, Beijing

Conferences

2022 AII International Conference on AI and Art, Shanghai

2021, Art Machines 2, ‘AIMADE’, Hong kong

2021 World Artificial Intelligence Conference, ‘AI as a new silk road’, Shanghai

Press

2023 ‘Rays of Light’ CGTN coverage (Spanish language)

2022 ‘Home’ Exhibition Istanbul 

2022 ‘Art For all’, Sohu (中文)

2022 Artnet Documenta artist list

2022 Artwave review of Documenta 15 (中文)

2022 Der Spiegel Documenta 15 review 

2021 Google Arts and Culture (COP26)

2021 CGTN Bird Collisions 

2021 ‘Time Well Spent: The Revitalisation of a Bund Icon’

2021 Pandaily 

2021 Cryptovalley 

2021 BCAEX Interview

2021 Virtual Niche (Art Emperor) 

2021 Sixth Tone, ‘How NFTs are transforming China’s Art Market’

2020 Forbes, ‘Year End Collection’

2020 Eflux, Immaterial/Rematerial: A Brief History of Computing Art  

2020 Hyperallergic, ‘Artists, Designers and activists address Climate Breakdown’

2017 Brockett, Zandie and Rolandi, Alessandro, A Lexicon for Open Fields of Exchange: On the Language and Dynamics of Researching towards a Social Sensibility | Oxford Artistic and Practice-Based Research Platform, Issue , pp65 

2017 Zaker, Farniyaz Place, Dwelling, and Art Practice | Oxford Artistic and Practice-Based Research Platform (OAR), Issue 1, pp. 111-118.

2016 Summer Art Night Beijing 

Talks 

2022 AI Art Centre Conference 

2021 John Kinross Scholarship, ‘Three Scholars’